Created a POC (proof of concept) of a VR CAVE using UNICave, Unity, a collection of projectors and PCs. The CAVE consisted of 3 walls and a ceiling using a VIVE controller to allow interaction with the VR environment. POC was successful. A dedicated set of projectors an PCs is now on order. Will be continued in 2021 as there’s also some construction work that will need to be done in order to give the CAVE a permanent place in the building.

XR experience at Arab Health 2020

For the Arab Health 2020 conference in Dubai Philips created a Mixed Reality presentation as an attention grabber to pull in the crowds onto the exhibition stand. It consisted of a large interactive TV monitor mounted horizontally. A 3D printed model of an optimized cardiology department and 4 iPads.

A horizontally mounted interactive TV screen with a 3D printed model on top

The TV monitor showed a presentation demonstrating the optimized workflow path for patient and staff as they go about their business in the department as well as other statistics relevant to improved efficiency and patient throughput.

Visitor using iPad to view augmented patient journey on top of scale model

On the iPad visitors could select either one of the virtual patients or staff members. They could then follow the little 3D characters as they made their way around the model on top of the monitor and follow their visit or daily routine in the cardiology department.

Exhibition visitor holding an iPad and looking at a patient storyline

Radiology of the future

At the RSNA 2018, Philips presented its vision on what patient and staff experience could look like in a future radiology department. Oddz created a VR experience which enabled Philips Design and Philips research to present new innovations, in the context of clinical workflow and a new enhanced patient experience.

Using immersive VR allows radiologists and hospital management to have a sneak peek at the Philips innovations to come. This gives Philips many valuable insights and feedback, which is fed back into their research and design innovation projects.

Philips at RSNA 2018

Scared 2.1 with a touch of fire

We have added a new ‘fear’ to iPad app Scared! Scared! is an app that features drawings of the things children are most afraid of. Fear of fire is one of those things. Many children are scared that their house will catch fire while they are asleep. This new screen may help them conquer their fear. It features great animations and sound effects and lets children put out a fire by tapping and swiping. The accompanying story will reassure children that a fire is very unlikely if you take precautions.

Scared! 2.1 is now for sale on the app store for a special promo price of only 0.99 usd, or 0.89 euro until 10 March.

Mandala Magick

Mandala Magick, the esoteric colouring of mandalas for people of all ages who want to find inner peace and discover the positive loving energy that sleeps inside every sentient being.

Or … you can just doodle along with a freewheeling mind perhaps to discover your hidden artistry and inner harmony but always to have fun.

Send your art to friends as a token of personal healing. Bring some magick into your life and let’s ”heal the world”. Concept and mandalas provided by Roy Hulsbergen.

Suitable for children, adults and the elderly. Get the app Mandala Magick here.

Utrecht in the App Store

Available as of today the latest in the series of interactive photo books made by Oddz on behalf of Roderick Hulsbergen AV Productions. This time it is the wonderful city of Utrecht that has drawn this photographer’s attention. Get the app for your iPad at the App Store.

Scared! to get new screens!

Scared!The popular App for iPad: Scared! is to be updated and to be expanded by another three animated screens. In order to cover the full range of fears experienced by young children we will be adding fear of “darkness”, “fire” and “death”. Please remember that it is fully natural for your child to experience these fears and that Scared! offers you a way to discuss these fears with your child. Showing that other children too experience these fears and offering a fun way to dismiss those fears.

Tropisms 12 – Photosynthesis

Tropisms 12 - PhotosynthesisThis new app by Oddz forms the complete catalogue for botanical gardens curators and for galleries that are interested in the botany-related art called Tropism. Tropisms are projects created by that art movement and Photosynthesis is a travelling exhibition that wants to shed a new light on plants.

Shedding new light on plants

The world of plants as we have never seen it before. That is the essence of this exhibition. Artists belonging to art movement Tropism have been photographing the world of plants, using unusual, often scientific, visualisation techniques. The use of infrared, x-ray, pinhole and electron microscopy give the images a surrealistic and magical touch. The results are unique artistic visualisations that offer a surprising and spectacularly different view of plants.

Plant Perceptions

The exhibition wants to shed light on plants, using a broad array of (plant-related) perceptions. An example of this is the actual perception of a plant in the ‘Flora Sonora’ installation, in which the reactions of plants that are being touched are translated into audio. Another example of the twenty or so perceptions is the infrared photography series ‘Infra Russus’ that shows plants without ‘make up’. ‘Naked plants’, as many insects and birds see them, in the ultra violet spectrum, and plants do dress up in seductive colours in that spectrum. The hyperbolic panorama is a projection of the 360º vision of an insect, and the pinhole photography lets you experience the plant world from the viewpoint and size of an insect.

Photographs, graphics, films and media-art

The exhibition is an initiative of media-artist Robin Noorda. He will be showing infrared photography, electrophotograms, hyperbolic panoramas and experimental films.
Bethany de Forest has created magical surrealistic plantscapes using pinhole-photography, a camera obscura technique. Arie van ’t Riet has used x-ray for his biorama’s. Margot van de Stolpe has created graphics based on patterns and structures found in plants.

In a series of photographs, fellow-artist, designer and composer Alfred Marseille has combined the many perspectives of a single tree into one image. He is also responsible for the musical compositions that are part of the exhibition. Adriaan van Aelst and Frans Holthuysen will be showing the fascinating micro world of the plant kingdom by means of electron microscopy.

Also on show at the exhibition are several intriguing film productions, such as ‘Red-end and the Seemingly Symbiotic Society’, the short animation film by Noorda and De Forest, that has won many international film awards.
A film project by Susanne Ohmann combines time-lapse techniques with choreography and body paint. It shows a Hortus visitor who slowly transforms into a forest nymph.

The Karl Blossfeldt Archive has given its special permission to include this remarkable pioneering photographer’s architectonic photographs of plants, published in ‘Urformen der Kunst’ (Archetypes of art, 1929). A source of inspiration for many Tropists.

Presentation concept

The exhibition consists of a hundred works, the majority of which have been especially created for this occasion. The presentation of the works aims to optimise a ‘wow’-experience for the visitors. The spectacular images raise the question: ‘what do we really see?’ Explanatory texts inform the visitor on subject and technique, and on the vision of the artist. All works are realised in botanical gardens or are directly inspired by plants. The works are also for sale as limited edition dibond-acrilycs.

A singing plant concert will be performed during the opening of the exhibition, and on various (scheduled) Saturday evenings. Musicians will play the plants by touch. This concert is also bookable as a separate event. During ‘Museum Night’, November 3rd 2012, the singing plant project will be on show as a small performance installation in the Hortus Botanicus Amsterdam.